Coming Soon to the Museum of Arts & Sciences

 

Flapper Style: 1920s Fashion
Edward E. and Jane B. Ford Gallery
Opening December 3, 2016 through January 22, 2017

The flapper is widely seen as the epitome of 1920s glamor and decadence. The term refers to the generation of young women who came to age just as World War I ended and shocked the older generation with their short hair and short skirts, their drinking, smoking, and swearing. Flappers faced a world strikingly different from the one their mothers knew and their clothing reflected this dramatic break with the past.

The "Roaring Twenties" were renowned for their exuberant parties and jazz music, which were reflected in the glittering fringe fashion that women wore. However, this exhibition looks beyond the quintessential beaded dress to explore the range of influences on fashion from sportswear to artistic movements such as Bauhaus and Art Deco. Standards of beauty in the 1920s shifted to celebrate youth with a fashionable silhouette that was slim and boyish. 

The exhibition includes more than forty pieces including undergarmets, evening wraps, sportswear, menswear and footwear from Kent State University Art Museum, which contains one of the country's most important couture collections.

 

Views of St. Augustine - 100 Years
A. Worley Brown & Family Gallery
Opening December 17, 2016

St. Augustine is the oldest continuously occupied European-established settlement within the borders of the United States. A brief history of the city begins in the 16th century. It was founded on September 8, 1565, by Spanish admiral Pedro Menéndez de Avilés, Florida’s first governor. He had first sighted land on August 28, the feast day of St. Augustine. The city served as the capital of Spanish Florida for over 200 years.

Spain ceded Florida to the United States in 1819, and when the treaty was ratified in 1821, St. Augustine was designated the capital of the Florida Territory until Tallahassee was made the capital in 1824. Since the late 19th century, St. Augustine’s distinct historical character has made the city a major tourist attraction.

The two works by George Harvey in this exhibition show us the Plaza of the Constitution and a view to the fort from a location just west of the north gate in the 1850’s. After these scenes were recorded, in 1861 Florida joined the Confederacy after the Civil War and Confederate authorities remained in control of St. Augustine for fourteen months, even though it was barely defended, and in spite of the Union blockade of shipping off the coast. Union troops occupied St. Augustine in 1862 and controlled the city though the rest of the war. A small watercolor depicts a blue-coated Union soldier sometime after the Union occupation. The town’s economy already devastated, many of the citizens fled.

Henry Flagler, a co-founder of the Standard Oil Company, spent the winter of 1883 in the city and found it charming, but considered its hotels and transportation systems inadequate. He had the idea to make St. Augustine a winter resort for wealthy Americans from the north, and to bring them south he bought several short line railroads and combined these in 1885 to form the Florida East Coast Railway. He built a railroad bridge over the St. Johns River in 1888, opening up the Atlantic coast of Florida to development.

Flagler began construction in 1887 of two large hotels, the 540-room Ponce de León Hotel and the Hotel Alcazar, and bought the Casa Monica Hotel the next year. His chosen architectural firm, Carrére and Hastings, radically altered the appearance of St. Augustine and give it a skyline characterized by the use of the Moorish Revival style. With the opening of the Ponce in 1888, St. Augustine became the winter resort of American high society.

After the Florida East Coast Railroad had been extended southward, the rich mostly abandoned St. Augustine in the early 20th. St. Augustine nevertheless still attracted tourists, and eventually became a destination for families traveling in automobiles. Calendar art presents a Chrysler Airflow parked outside the Oldest House verifying the new mode by which to visit the city. The tourist industry soon became the dominate sector of the local economy. With the help of state and federal government monies, St. Augustine began a program in 1935 to preserver thirty-six surviving colonial buildings and reconstruct others that were gone.

In 1965, St. Augustine celebrated the quadricentennial of its founding, and with funds from the State, began to restore part of the colonial city. Paintings after that date reflect the restored condition of their subjects. In 2015, St. Augustine celebrated the 450th year of its founding with an exhibition of historic art works from the Brown Collection including many of the works in this gallery. 

 

Pulled, Pressed and Screened: Important American Prints
Karshan Center of Graphic Art
Opening February 4, 2017 through April 30, 2017

Organized by the Syracuse University Art Collection

From the 1930s to the 1980s the printed image in American art went through profound changes. Beginning with the black and white lithographs that were popularized by the regionalists and urban realists, and continuing through the experimental intaglio prints of the 1940s and 1950s, the ‘Pop’ explosion of screenprints in the 1960s, and the precision of super realism in the 1970s, printmaking has captured the imagination of countless American artists.

This exhibition of 51 American prints surveyed the activities of artists who put designs on paper during this exciting period. Thomas Hart Benton, Grant Wood, Anne Ryan, Milton Avery, Dorothy Dehner, Robert Motherwell, Andy Warhol, Jasper Johns and Richard Estes were a few of the artists represented in this examination of the growth in popularity of printmaking among American artists during this 50 year period. Especially significant are the contributions of women to printmaking during this period as well as the impact of African-American artists on the graphic arts. Combined with artists who immigrated to the United States during these decades and the increased numbers of painters and sculptors who took up the medium, this exhibition makes the egalitarian nature of the print abundantly clear.

 

NASA Innovations: How Space Technology Shapes our Everyday World
Edward E. and Jane B. Ford Gallery
Opening February 4, 2017 through May 7, 2017

Find a new appreciation for the amazing technology intertwined into our lives as we take a look at the astounding technology developed for America's iconic space program. On loan from NASA and the Kennedy Space Center Visitor Complex, is a vast collection of training and space flown hardware starting with Project Mercury through to the Space Shuttle Program and beyond. You will find a rocket engine, space suit gear, spacewalking tools, planting growing station, materials used on Apollo craft and the Space Shuttle, and even a Space Shuttle toilet! These artifacts and more will highlight the technology that has been needed to operate in the harsh environment of space, and how those vital components were adapted for the public into everyday items in what NASA calls "spin-offs".